The Canterbury Tales are explicated.

This posting offers help with locating a passage of not more than 15 lines that you regard as a particularly effective description of one of the characters. Using that passage as evidence, it deduces 2 or 3 "rules" that an effective character description must fulfill.

Poems about Women in Business are listed.

Poem resources about women in business in the corporate world are suggested.

Poetry about Women, Workplace, and Social Change are offered.

These areas are covered: •Meaning and implication of the poem? •Analytical argument about the role literature can and should play as businesses cope with social change •Illustrating examples from poem •Does literature from different cultures focus on different aspects of business? •How do the changes characters experience in the works of literature analyzed relate to the changes businesses must deal with? •How does the reading process change the reader? •How does literature deal with elements of business that resist change, such as personal ethics or the profit motive? •How do the aesthetic ambitions of the authors (the desire to make you feel and to create beauty) relate to thei... click for more

The fundamentals of a story are briefly overviewed.

These areas are covered: Your team has been given a new project to create content for a chapter focusing on the fundamentals of a story. Beforehand, you take the individual task to start a discussion group to brainstorm ideas for the chapter. You put together an outline for the discussion to make sure it remains on-task. Your outline should consist of the following: In what ways do the style and point of view in a story format effects the delivery of that story? What key elements do you need to make sure that your story is complete? How can the theme be evident throughout a story?

Emily Dickinson's poems are examined.

Hidden pain and woe are repeated themes in Emily Dickinson’s poems. Note the two ideas in “A wounded Deer -- Leaps Highest” (poem # 165): the idea of compensation and the idea that we cloak our anguish in outward joy -- and the more apparent the joy, the greater the likelihood of anguish within. Is the argument of the poem opposite of that in “The Though Beneath So Slight a Film” (poem # 210), or is it the same?